My attention was first caught by William Abranowicz's The Greek File as I was fresh from a trip to the mythic land myself, and easily captivated by anything Greece-related. Already galvanized by the work of Herbert List (see earlier posts), I was hit with another wave of inspiration upon seeing another monograph dedicated to the place that changed me, not only as a photographer but as a person.
The Greek File: Santorini, 1991 |
The Greek File: Santorini, 1998 |
Abranowicz captures the essence of Greece in much the same way that I attempted when I was there. It's so easy to be caught up by the the things you're supposed to see when visiting a new place, but he made an effort to see past the attractions to the stripped-down core of Greek culture. There are no cliched portraits of monuments.
The beginning of the monograph has a beautifully written introduction by Edmund Keeley, followed by an excerpt from The Colossus of Maroussi by Henry Miller. So enchanted was I by Miller's words, that I found a copy of the book, and have been reading it slowly over the past few weeks. The way he describes his time in Greece, the interactions he had with people, the places he visited, especially the overwhelming sense of peace and calm he experienced upon visiting Epidaurus, has continually brought my own experiences flooding back each time I pick up the book.
"At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world."
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